Adrienne Rich (2002)
There's a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.
I've walked there picking mushrooms at the edge of dread, but don't be fooled
this isn't a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.
I won't tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.
And I won't tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it's necessary
to talk about trees.
Saturday, March 20, 2010
Friday, March 19, 2010
I have to tell you
Thursday, March 18, 2010
Fairy-tale Logic
A.E. Stallings (2010)
Fairy tales are full of impossible tasks:
Gather the chin hairs of a man-eating goat,
Or cross a sulphuric lake in a leaky boat,
Select the prince from a row of identical masks,
Tiptoe up to a dragon where it basks
And snatch its bones; count dust specks, mote by mote,
Or learn the phone directory by rote.
Always it's impossible what someone asks—
You have to fight magic with magic. You have to believe
That you have something impossible up your sleeve,
The language of snakes, perhaps, an invisible cloak,
An army of ants at your beck, or a lethal joke,
The will to do whatever must be done:
Marry a monster. Hand over your firstborn son.
Fairy tales are full of impossible tasks:
Gather the chin hairs of a man-eating goat,
Or cross a sulphuric lake in a leaky boat,
Select the prince from a row of identical masks,
Tiptoe up to a dragon where it basks
And snatch its bones; count dust specks, mote by mote,
Or learn the phone directory by rote.
Always it's impossible what someone asks—
You have to fight magic with magic. You have to believe
That you have something impossible up your sleeve,
The language of snakes, perhaps, an invisible cloak,
An army of ants at your beck, or a lethal joke,
The will to do whatever must be done:
Marry a monster. Hand over your firstborn son.
Sunday, January 17, 2010
Wednesday, November 25, 2009
Fireflies
Dave Smith (2009)
You see them everywhere and hardly notice the one
cranking past as you pass on the sidewalk,
that mewling, watery eye, partly bloodshot, partly
focused on you, or some apprehension of you,
or, shrunken, one in the Giant self-checkout line,
foul as a just risen pig, in slippers, and now
the puzzled, warty face turns to you, and you’re
helpless, stunned, the routine ordinary signals are
suddenly hieroglyphics, you’re punching out
answers, your life savings gone, and a bug’s winking.
Better, unquestionably, to walk faster, left on Main,
take the boiling sun on your back, still broad
enough to hold whatever comes next today.
That’s the trick of it all, knowing you can,
without thinking, navigate, slide, cut quick
the way kids on front yards do in that smell
of mowed grass, sweat, youth, not dusk yet,
a tumbling brush of bone and skin only sweet
proof of no intent, intersection and angle, the right
desire of things as subtle as what fireflies mean.
Once my wife and I, following the girlish Realtor,
opened a parlor door, brownstone dim, cool, two
bodies in pajamas pushing up in a musky bed
no one supposed to be there, husband and wife,
I’ve thought all these years. Their throats opened,
calls horrific as ungreased gears, dry pistons, us
already heeling out. Did someone later come,
explain who we were, snafus, that unlocked door?
Or did they lie, walls creaking, until dawn, bugs
at windows like words in their mouths, on and off?
You see them everywhere and hardly notice the one
cranking past as you pass on the sidewalk,
that mewling, watery eye, partly bloodshot, partly
focused on you, or some apprehension of you,
or, shrunken, one in the Giant self-checkout line,
foul as a just risen pig, in slippers, and now
the puzzled, warty face turns to you, and you’re
helpless, stunned, the routine ordinary signals are
suddenly hieroglyphics, you’re punching out
answers, your life savings gone, and a bug’s winking.
Better, unquestionably, to walk faster, left on Main,
take the boiling sun on your back, still broad
enough to hold whatever comes next today.
That’s the trick of it all, knowing you can,
without thinking, navigate, slide, cut quick
the way kids on front yards do in that smell
of mowed grass, sweat, youth, not dusk yet,
a tumbling brush of bone and skin only sweet
proof of no intent, intersection and angle, the right
desire of things as subtle as what fireflies mean.
Once my wife and I, following the girlish Realtor,
opened a parlor door, brownstone dim, cool, two
bodies in pajamas pushing up in a musky bed
no one supposed to be there, husband and wife,
I’ve thought all these years. Their throats opened,
calls horrific as ungreased gears, dry pistons, us
already heeling out. Did someone later come,
explain who we were, snafus, that unlocked door?
Or did they lie, walls creaking, until dawn, bugs
at windows like words in their mouths, on and off?
Saturday, October 31, 2009
Home To Roost
Kay Ryan (2005)
The chickens
are circling and
blotting out the
day. The sun is
bright, but the
chickens are in
the way. Yes,
the sky is dark
with chickens,
dense with them.
They turn and
then they turn
again. These
are the chickens
you let loose
one at a time
and small—
various breeds.
Now they have
come home
to roost—all
the same kind
at the same speed.
The chickens
are circling and
blotting out the
day. The sun is
bright, but the
chickens are in
the way. Yes,
the sky is dark
with chickens,
dense with them.
They turn and
then they turn
again. These
are the chickens
you let loose
one at a time
and small—
various breeds.
Now they have
come home
to roost—all
the same kind
at the same speed.
Friday, October 30, 2009
Listening in October
John Haines
In the quiet house
a lamp is burning
where the book of autumn
lies open on a table.
There is tea with milk
in heavy mugs,
brown raisin cake, and thoughts
that stir the heart
with the promises of death.
We sit without words,
gazing past the limit
of fire, into the towering
darkness...
There are silences so deep
you can hear
the journeys of the soul,
enormous footsteps
downward in a freezing earth.
In the quiet house
a lamp is burning
where the book of autumn
lies open on a table.
There is tea with milk
in heavy mugs,
brown raisin cake, and thoughts
that stir the heart
with the promises of death.
We sit without words,
gazing past the limit
of fire, into the towering
darkness...
There are silences so deep
you can hear
the journeys of the soul,
enormous footsteps
downward in a freezing earth.
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