Stephen Dunn (2000)
Once in a small rented room, awaiting
a night call from a distant time zone,
I understood you could feel so futureless
you'd want to get a mermaid
tattoed on your biceps. Company
forever. Flex and she'd dance.
The phone never rang, except for those
phantom rings, which I almost answered.
I was in D.C., on leave from the Army.
It was a woman, of course, who didn't call.
Or, as we said back then, a girl.
It's anybody's story.
But I think for me it was the beginning
of empathy, not a large empathy
like the deeply selfless might have,
more like a leaning, like being able
to imagine a life for a spider, a maker's
life, or just some aliveness
in its wide abdomen and delicate spinnerets
so you take it outside in two paper cups
intead of stepping on it.
The next day she called, and it was final.
I remember going to the zoo
and staring a long time
at the hippopotamus, its enormous weight
and mass, its strange appearance
of tranquility.
And then the sleek, indignant cats.
Then I went back to Fort Jackson.
I had a calendar taped inside my locker,
and I'd circled days for when I
had no plans, not even hopes—
big circles, so someone might ask.
It was between wars. Only the sergeants
and a few rawboned farm boys
took learning how to kill seriously.
We had to traverse the horizontal ladder,
rung after rung, to pass
into mess hall. Always the weak-handed,
the weak-armed, couldn't make it.
I looked for those who didn't laugh
at those of us who fell.
In the barracks, after drills,
the quiet fellowship of the fallen.
Tuesday, October 30, 2007
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2 comments:
from The New Yorker (April 10, 2000)
Stephen Dunn
Jesus, that’s good.
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