Richard Wilbur (2009)
Treetops are not so high
Not I so low
That I don't instinctively know
How it would be to fly
Through gaps that the wind makes, ehn
The leaves arouse
And there is a lifting of boughs
That settle and lift again.
Whatever my kind may be,
It is not absurd
To confuse myself with a bird
For the space of a reverie:
My species never flew,
But I somehow know
It is something that long ago
I almost adapted to.
Showing posts with label Richard Wilbur. Show all posts
Showing posts with label Richard Wilbur. Show all posts
Friday, August 28, 2009
Thursday, January 1, 2009
Trismegistus
Richard Wilbur (2009)
O Egypt, Egypt—so the great lament
Of thrice-great Hermes went—
Nothing of thy religion shall remain
Save fables, which thy children shall disdain.
His grieving eye foresaw
The world’s bright fabric overthrown
Which married star to stone
And charged all things with awe.
And what, in that dismantled world, could be
More fabulous than he?
Had he existed? Was he but a name
Tacked on to forgeries which pressed the claim
Of every ancient quack—
That one could from a smoky cell
By talisman or spell
Coerce the Zodiac?
Still, still we summon him at midnight hour
To Milton’s pensive tower,
And hear him tell again how, then and now,
Creation is a house of mirrors, how
Each herb that sips the dew
Dazzles the eye with many small
Reflections of the All—
Which, after all, is true.
O Egypt, Egypt—so the great lament
Of thrice-great Hermes went—
Nothing of thy religion shall remain
Save fables, which thy children shall disdain.
His grieving eye foresaw
The world’s bright fabric overthrown
Which married star to stone
And charged all things with awe.
And what, in that dismantled world, could be
More fabulous than he?
Had he existed? Was he but a name
Tacked on to forgeries which pressed the claim
Of every ancient quack—
That one could from a smoky cell
By talisman or spell
Coerce the Zodiac?
Still, still we summon him at midnight hour
To Milton’s pensive tower,
And hear him tell again how, then and now,
Creation is a house of mirrors, how
Each herb that sips the dew
Dazzles the eye with many small
Reflections of the All—
Which, after all, is true.
Monday, December 1, 2008
Terza Rima
Richard Wilbur (2008)
In this great form, as Dante proved in Hell,
There is no dreadful thing that can’t be said
In passing. Here, for instance, one could tell
How our jeep skidded sideways toward the dead
Enemy soldier with the staring eyes,
Bumping a little as it struck his head,
And then flew on, as if toward Paradise.
In this great form, as Dante proved in Hell,
There is no dreadful thing that can’t be said
In passing. Here, for instance, one could tell
How our jeep skidded sideways toward the dead
Enemy soldier with the staring eyes,
Bumping a little as it struck his head,
And then flew on, as if toward Paradise.
Tuesday, April 8, 2008
Once
Richard Wilbur (2000)
The old rock-climber cries out in his sleep,
Dreaming without enthusiasm
Of a great cliff immeasurably steep,
Or of the sort of yawning chasm,
Now far too deep,
That once, made safe by rashness, he could leap.

2007: Stone by Charles Simic
The old rock-climber cries out in his sleep,
Dreaming without enthusiasm
Of a great cliff immeasurably steep,
Or of the sort of yawning chasm,
Now far too deep,
That once, made safe by rashness, he could leap.
2007: Stone by Charles Simic
Sunday, March 30, 2008
Green
Richard Wilbur
Tree-leaves which, till the growing season's done,
Change into wood the powers of the sun,
Take from that radiance only reds and blues.
Green is the color that they cannot use,
And so their rustling myriads are seen
To wear all summer an extraneous green,
A green with no apparent role, unless
To be the symbol of a great largesse
Which has no end, though autumns may revoke
That shade from yellowed ash and rusted oak.
Tree-leaves which, till the growing season's done,
Change into wood the powers of the sun,
Take from that radiance only reds and blues.
Green is the color that they cannot use,
And so their rustling myriads are seen
To wear all summer an extraneous green,
A green with no apparent role, unless
To be the symbol of a great largesse
Which has no end, though autumns may revoke
That shade from yellowed ash and rusted oak.
Sunday, March 23, 2008
A Short History
Sunday, March 16, 2008
In Trackless Woods
Richard Wilbur (2004)
In trackless woods, it puzzled me to find
Four great rock maples seemingly aligned,
As if they had been set out in a row
Before some house a century ago,
To edge the property and lend some shade.
I looked to see if ancient wheels had made
Old ruts to which the trees ran parallel,
But there were none, so far as I could tell—
There'd been no roadway. Nor could I find the square
Depression of a cellar anywhere,
And so I tramped on further, to survey
Amazing patterns in a hornbeam spray
Or spirals in a pine cone, under trees
Not subject to our stiff geometries.
In trackless woods, it puzzled me to find
Four great rock maples seemingly aligned,
As if they had been set out in a row
Before some house a century ago,
To edge the property and lend some shade.
I looked to see if ancient wheels had made
Old ruts to which the trees ran parallel,
But there were none, so far as I could tell—
There'd been no roadway. Nor could I find the square
Depression of a cellar anywhere,
And so I tramped on further, to survey
Amazing patterns in a hornbeam spray
Or spirals in a pine cone, under trees
Not subject to our stiff geometries.
Tuesday, March 11, 2008
Parable
Richard Wilbur (1950)
I read how Quixote in his random ride
Came to a crossing once, and lest he lose
The purity of chance, would not decide
Whither to fare, but wished his horse to choose.
For glory lay wherever he might turn.
His head was light with pride, his horse's shoes
Were heavy, and he headed for the barn.
I read how Quixote in his random ride
Came to a crossing once, and lest he lose
The purity of chance, would not decide
Whither to fare, but wished his horse to choose.
For glory lay wherever he might turn.
His head was light with pride, his horse's shoes
Were heavy, and he headed for the barn.
Friday, February 8, 2008
A Measuring Worm
Richard Wilbur (2008)
This yellow striped green
Caterpillar, climbing up
The steep window screen,
Constantly (for lack
Of a full set of legs) keeps
Humping up his back.
It’s as if he sent
By a sort of semaphore
Dark omegas meant
To warn of Last Things.
Although he doesn’t know it,
He will soon have wings,
And I, too, don’t know
Toward what undreamt condition
Inch by inch I go.
This yellow striped green
Caterpillar, climbing up
The steep window screen,
Constantly (for lack
Of a full set of legs) keeps
Humping up his back.
It’s as if he sent
By a sort of semaphore
Dark omegas meant
To warn of Last Things.
Although he doesn’t know it,
He will soon have wings,
And I, too, don’t know
Toward what undreamt condition
Inch by inch I go.
Thursday, November 1, 2007
The Sleepwalker
Richard Wilbur (2004)
Like an axe-head sunk in a stump,
His face is wedged into the pillow's dark,
The nose and mouth scarcely breathing,
The mind without a picture.
But now a window shade
Floats inward, to admit the ashen moonlight,
Hovers, and then in haste falls back
To crash against the screen.
In a room like this, a harrowing
Dream takes shape, although he can't yet tell
Whether abductors keep him here
Or foes without besiege him.
Afoot now in that dream,
He moves through half-familiar shapes, through shapes
Made vague as if by attic dust
Or oxides undersea,
Until a doorknob's glint
Alerts him, and the opening door reveals
Obsidian gloom from which emerge
Eight shoe-tips in a row.
Shutting the door against
That bodliess surveillance, he begins
To waken, and his eyes to clear,
Conforming room to room
And shaking off the dream
For good, except that later on, in daylight,
Walking down the street or corridor
Upon a clear-cut errand,
His mood will briefly yield
To an odd notion like an undertow,
A sense that he is mortally
Beset, and in need of ransom.
Like an axe-head sunk in a stump,
His face is wedged into the pillow's dark,
The nose and mouth scarcely breathing,
The mind without a picture.
But now a window shade
Floats inward, to admit the ashen moonlight,
Hovers, and then in haste falls back
To crash against the screen.
In a room like this, a harrowing
Dream takes shape, although he can't yet tell
Whether abductors keep him here
Or foes without besiege him.
Afoot now in that dream,
He moves through half-familiar shapes, through shapes
Made vague as if by attic dust
Or oxides undersea,
Until a doorknob's glint
Alerts him, and the opening door reveals
Obsidian gloom from which emerge
Eight shoe-tips in a row.
Shutting the door against
That bodliess surveillance, he begins
To waken, and his eyes to clear,
Conforming room to room
And shaking off the dream
For good, except that later on, in daylight,
Walking down the street or corridor
Upon a clear-cut errand,
His mood will briefly yield
To an odd notion like an undertow,
A sense that he is mortally
Beset, and in need of ransom.
Friday, September 21, 2007
Epistemology
Richard Wilbur
I.
Kick at the rock, Sam Johnson, break your bones:
But cloudy, cloudy is the stuff of stones.
II.
We milk the cow of the world, and as we do
We whisper in her ear, "You are not true."
I.
Kick at the rock, Sam Johnson, break your bones:
But cloudy, cloudy is the stuff of stones.
II.
We milk the cow of the world, and as we do
We whisper in her ear, "You are not true."
Sunday, August 12, 2007
Praise In Summer
Richard Wilbur
Obscurely yet most surely called to praise,
As sometimes summer calls us all, I said
The hills are heavens full of branching ways
Where star-nosed moles fly overhead the dead;
I said the trees are mines in air, I said
See how the sparrow burrows in the sky!
And then I wondered why this mad instead
Perverts our praise to uncreation, why
Such savor's in this wrenching things awry.
Does sense so stale that it must needs derange
The world to know it? To praiseful eye
Should it not be enough of fresh and strange
That trees grow green, and moles can course in clay,
And sparrows sweep the ceiling of our day?
Obscurely yet most surely called to praise,
As sometimes summer calls us all, I said
The hills are heavens full of branching ways
Where star-nosed moles fly overhead the dead;
I said the trees are mines in air, I said
See how the sparrow burrows in the sky!
And then I wondered why this mad instead
Perverts our praise to uncreation, why
Such savor's in this wrenching things awry.
Does sense so stale that it must needs derange
The world to know it? To praiseful eye
Should it not be enough of fresh and strange
That trees grow green, and moles can course in clay,
And sparrows sweep the ceiling of our day?
Saturday, July 7, 2007
A Barred Owl
Richard Wilbur
The warping night air having brought the boom
Of an owl's voice into her darkened room,
We tell the wakened child that all she heard
Was an odd question from a forest bird,
Asking of us, if rightly listened to,
"Who cooks for you?" and then "Who cooks for you?"
Words, which can make our terrors bravely clear,
Can also thus domesticate a fear,
And send a small child back to sleep at night
Not listening for the sound of stealthy flight
Or dreaming of some small thing in a claw
Borne up to some dark branch and eaten raw.
The warping night air having brought the boom
Of an owl's voice into her darkened room,
We tell the wakened child that all she heard
Was an odd question from a forest bird,
Asking of us, if rightly listened to,
"Who cooks for you?" and then "Who cooks for you?"
Words, which can make our terrors bravely clear,
Can also thus domesticate a fear,
And send a small child back to sleep at night
Not listening for the sound of stealthy flight
Or dreaming of some small thing in a claw
Borne up to some dark branch and eaten raw.
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