21 years ago
yesterday
when I was 21
I read a poem
When I was 21
written in 1896.
Sunday, January 17, 2010
Wednesday, November 25, 2009
Fireflies
Dave Smith (2009)
You see them everywhere and hardly notice the one
cranking past as you pass on the sidewalk,
that mewling, watery eye, partly bloodshot, partly
focused on you, or some apprehension of you,
or, shrunken, one in the Giant self-checkout line,
foul as a just risen pig, in slippers, and now
the puzzled, warty face turns to you, and you’re
helpless, stunned, the routine ordinary signals are
suddenly hieroglyphics, you’re punching out
answers, your life savings gone, and a bug’s winking.
Better, unquestionably, to walk faster, left on Main,
take the boiling sun on your back, still broad
enough to hold whatever comes next today.
That’s the trick of it all, knowing you can,
without thinking, navigate, slide, cut quick
the way kids on front yards do in that smell
of mowed grass, sweat, youth, not dusk yet,
a tumbling brush of bone and skin only sweet
proof of no intent, intersection and angle, the right
desire of things as subtle as what fireflies mean.
Once my wife and I, following the girlish Realtor,
opened a parlor door, brownstone dim, cool, two
bodies in pajamas pushing up in a musky bed
no one supposed to be there, husband and wife,
I’ve thought all these years. Their throats opened,
calls horrific as ungreased gears, dry pistons, us
already heeling out. Did someone later come,
explain who we were, snafus, that unlocked door?
Or did they lie, walls creaking, until dawn, bugs
at windows like words in their mouths, on and off?
You see them everywhere and hardly notice the one
cranking past as you pass on the sidewalk,
that mewling, watery eye, partly bloodshot, partly
focused on you, or some apprehension of you,
or, shrunken, one in the Giant self-checkout line,
foul as a just risen pig, in slippers, and now
the puzzled, warty face turns to you, and you’re
helpless, stunned, the routine ordinary signals are
suddenly hieroglyphics, you’re punching out
answers, your life savings gone, and a bug’s winking.
Better, unquestionably, to walk faster, left on Main,
take the boiling sun on your back, still broad
enough to hold whatever comes next today.
That’s the trick of it all, knowing you can,
without thinking, navigate, slide, cut quick
the way kids on front yards do in that smell
of mowed grass, sweat, youth, not dusk yet,
a tumbling brush of bone and skin only sweet
proof of no intent, intersection and angle, the right
desire of things as subtle as what fireflies mean.
Once my wife and I, following the girlish Realtor,
opened a parlor door, brownstone dim, cool, two
bodies in pajamas pushing up in a musky bed
no one supposed to be there, husband and wife,
I’ve thought all these years. Their throats opened,
calls horrific as ungreased gears, dry pistons, us
already heeling out. Did someone later come,
explain who we were, snafus, that unlocked door?
Or did they lie, walls creaking, until dawn, bugs
at windows like words in their mouths, on and off?
Saturday, October 31, 2009
Home To Roost
Kay Ryan (2005)
The chickens
are circling and
blotting out the
day. The sun is
bright, but the
chickens are in
the way. Yes,
the sky is dark
with chickens,
dense with them.
They turn and
then they turn
again. These
are the chickens
you let loose
one at a time
and small—
various breeds.
Now they have
come home
to roost—all
the same kind
at the same speed.
The chickens
are circling and
blotting out the
day. The sun is
bright, but the
chickens are in
the way. Yes,
the sky is dark
with chickens,
dense with them.
They turn and
then they turn
again. These
are the chickens
you let loose
one at a time
and small—
various breeds.
Now they have
come home
to roost—all
the same kind
at the same speed.
Friday, October 30, 2009
Listening in October
John Haines
In the quiet house
a lamp is burning
where the book of autumn
lies open on a table.
There is tea with milk
in heavy mugs,
brown raisin cake, and thoughts
that stir the heart
with the promises of death.
We sit without words,
gazing past the limit
of fire, into the towering
darkness...
There are silences so deep
you can hear
the journeys of the soul,
enormous footsteps
downward in a freezing earth.
In the quiet house
a lamp is burning
where the book of autumn
lies open on a table.
There is tea with milk
in heavy mugs,
brown raisin cake, and thoughts
that stir the heart
with the promises of death.
We sit without words,
gazing past the limit
of fire, into the towering
darkness...
There are silences so deep
you can hear
the journeys of the soul,
enormous footsteps
downward in a freezing earth.
Monday, October 12, 2009
L Equals Look
Mary Jo Bang (2009)
At a book of details
Of all the moments when knowledge is acquired
A sort of expanded balloon
Sighs and says, "We are what came before."
"The storm in the window of the mind,"
The sleepy sister says while she's walking around
Wonderland watching
A cat touching down and talking.
Not a car in sight. A cemetery seen from the air.
All the obelisks you could ever ask for.
At a book of details
Of all the moments when knowledge is acquired
A sort of expanded balloon
Sighs and says, "We are what came before."
"The storm in the window of the mind,"
The sleepy sister says while she's walking around
Wonderland watching
A cat touching down and talking.
Not a car in sight. A cemetery seen from the air.
All the obelisks you could ever ask for.
Saturday, September 26, 2009
Memory At These Speeds
Jane Miller (1996)
I love these hours alone I do
not
like them. Like them, I am
slow to divine
meaning from change, meaning
I love you & remembering
waking next
to you like a white gull against a white sky
become blue
I feel detached, although I realize
this is the drift of happiness it is not
my choice
yes I like you
for it. Faith
for this moment is living
with a fear
I will lose you or myself,
each arousing
the other,
eternity!
that spectacular hour in the afternoon
when you arrive & suck me
as if it were through time
we are reconciled
or in dream,
the desert we return to
heaven
all that disappears
when we look back,
for this time we are lovers we are
moved by the sea
in a studio with aqua floorboards
& white lamps now like stars inhabiting a pattern
now random.
Never let ourselves be subject
to either dependence again
or pain. Where once there were so many
words we had to choose
between us,
your sentence effortless as mine is fair.
Wednesday, September 2, 2009
The Enigma We Answer by Living
Alison Deming
Einstein didn't speak as a child
waiting till a sentence formed and
emerged full-blown from his head.
I do the thing, he later wrote, which
nature drives me to do. Does a fish
know the water in which he swims?
This came up in conversation
with a man I met by chance,
friend of a friend of a friend,
who passed through town carrying
three specimen boxes of insects
he'd collected in the Grand Canyon—
one for mosquitoes, one for honeybees,
one for butterflies and skippers,
each lined up in a row, pinned and labeled,
tiny morphologic differences
revealing how adaptation
happened over time. The deeper down
he hiked, the older the rock
and the younger
the strategy for living in that place.
And in my dining room the universe
found its way into this man
bent on cataloguing each innovation,
though he knows it will all disappear—
the labels, the skippers, the canyon.
We agreed then, the old friends and the new,
that it's wrong to think people are a thing apart
from the whole, as if we'd sprung
from an idea out in space, rather than emerging
from the sequenced larval mess of creation
that binds us with the others,
all playing the endgame of a beautiful planet
that's made us want to name
each thing and try to tell
its story against the vanishing.
Einstein didn't speak as a child
waiting till a sentence formed and
emerged full-blown from his head.
I do the thing, he later wrote, which
nature drives me to do. Does a fish
know the water in which he swims?
This came up in conversation
with a man I met by chance,
friend of a friend of a friend,
who passed through town carrying
three specimen boxes of insects
he'd collected in the Grand Canyon—
one for mosquitoes, one for honeybees,
one for butterflies and skippers,
each lined up in a row, pinned and labeled,
tiny morphologic differences
revealing how adaptation
happened over time. The deeper down
he hiked, the older the rock
and the younger
the strategy for living in that place.
And in my dining room the universe
found its way into this man
bent on cataloguing each innovation,
though he knows it will all disappear—
the labels, the skippers, the canyon.
We agreed then, the old friends and the new,
that it's wrong to think people are a thing apart
from the whole, as if we'd sprung
from an idea out in space, rather than emerging
from the sequenced larval mess of creation
that binds us with the others,
all playing the endgame of a beautiful planet
that's made us want to name
each thing and try to tell
its story against the vanishing.
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