Andrew J. Grossman (1988)
Sometime the cow kick your head
Sometime she just moo
Even the cow don't know
What she going to do
Until she look at you
Knocked out upon the ground
And she say, "Woo
My leg do that to him"
Friday, August 31, 2007
Thursday, August 30, 2007
The Soul Selects Her Own Society
Emily Dickinson (1830-1886)
The sould selects her own society
Then shuts the door;
On her divine majority
Obtrude no more.
Unmoved, she notes the chariot's pausing
At her low gate;
Unmoved, an emperor is kneeling
Upon her mat.
I've known her from an ample nation
Choose one;
Then close the valves of her attention
Like stone.
The sould selects her own society
Then shuts the door;
On her divine majority
Obtrude no more.
Unmoved, she notes the chariot's pausing
At her low gate;
Unmoved, an emperor is kneeling
Upon her mat.
I've known her from an ample nation
Choose one;
Then close the valves of her attention
Like stone.
Wednesday, August 29, 2007
Miles Davis on Art
Lawrence Raab (2003)
"The only way to make art," Miles Davis
said, "is to forget what is unimportant."
That sounds right, although the opposite
also feels like the truth. Forget
what looks important, hope it shows up
later to surprise you. I understand
he meant you've got to clear
your mind, get rid of everything
that doesn't matter. But how can you tell?
Maybe the barking of a dog at night
is exactly what you need
to think about. "Just play within
the range of the idea,"
Charlie Parker said. The poem
that knows too quickly what's important
will disappoint us. And sometimes
when you talk about art
you mean it, sometimes you're just
fooling around. But once he had the melody
in place, he could leave it behind
and go where he wanted, trusting
the beautiful would come to him, as it may
to a man who's worked hard enough
to be ready for it. And he was,
more often than not. That was what he knew.
"The only way to make art," Miles Davis
said, "is to forget what is unimportant."
That sounds right, although the opposite
also feels like the truth. Forget
what looks important, hope it shows up
later to surprise you. I understand
he meant you've got to clear
your mind, get rid of everything
that doesn't matter. But how can you tell?
Maybe the barking of a dog at night
is exactly what you need
to think about. "Just play within
the range of the idea,"
Charlie Parker said. The poem
that knows too quickly what's important
will disappoint us. And sometimes
when you talk about art
you mean it, sometimes you're just
fooling around. But once he had the melody
in place, he could leave it behind
and go where he wanted, trusting
the beautiful would come to him, as it may
to a man who's worked hard enough
to be ready for it. And he was,
more often than not. That was what he knew.
Tuesday, August 28, 2007
The Road Not Taken
Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Monday, August 27, 2007
Meeting Point
Louis MacNeice (1941)
Time was away and somewhere else,
There were two glasses and two chairs
And two people with the one pulse
(Somebody stopped the moving stairs):
Time was away and somewhere else.
And they were neither up nor down,
The stream's music did not stop
Flowing through the heather, limpid brown,
Although they sat in a coffee shop
And they were neither up nor down.
The bell was silent in the air
Holding its inverted poise—
Between the clang and clang a flower,
A brazen calyx of no noise:
The bell was silent in the air.
The camels crossed the miles of sand
That stretched around the cups and plates;
The desert was their own, they planned
To portion out the stars and dates:
The camels crossed the miles of sand.
Time was away and somewhere else.
The waiter did not come, the clock
Forgot them and the radio waltz
Came our like water from a rock:
Time was away and somewhere else.
Her fingers flicked away the ash
That bloomed again in the tropic trees:
Not caring if the markets crash
When they had forests such as these,
Her fingers flicked away the ash.
God or whatever means the Good
Be praised that time can't stop like this,
That what the heart has understood
Can verify in the body's peace
God or whatever means the Good.
Time was away and she was here
And life no longer what it was,
The bell was silent in the air
And all the room aglow because
Time was away and she was here.
Time was away and somewhere else,
There were two glasses and two chairs
And two people with the one pulse
(Somebody stopped the moving stairs):
Time was away and somewhere else.
And they were neither up nor down,
The stream's music did not stop
Flowing through the heather, limpid brown,
Although they sat in a coffee shop
And they were neither up nor down.
The bell was silent in the air
Holding its inverted poise—
Between the clang and clang a flower,
A brazen calyx of no noise:
The bell was silent in the air.
The camels crossed the miles of sand
That stretched around the cups and plates;
The desert was their own, they planned
To portion out the stars and dates:
The camels crossed the miles of sand.
Time was away and somewhere else.
The waiter did not come, the clock
Forgot them and the radio waltz
Came our like water from a rock:
Time was away and somewhere else.
Her fingers flicked away the ash
That bloomed again in the tropic trees:
Not caring if the markets crash
When they had forests such as these,
Her fingers flicked away the ash.
God or whatever means the Good
Be praised that time can't stop like this,
That what the heart has understood
Can verify in the body's peace
God or whatever means the Good.
Time was away and she was here
And life no longer what it was,
The bell was silent in the air
And all the room aglow because
Time was away and she was here.
Sunday, August 26, 2007
Jabberwocky
Lewis Carroll (1832-1898)
'Twas brilig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogroves,
And the mome raths outgrabe.
"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"
He took his vorpal sword in hand;
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.
And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!
One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.
"And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh, Callay!"
He chortled in his joy.
'Twas brilig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogroves,
And the mome raths outgrabe.
'Twas brilig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogroves,
And the mome raths outgrabe.
"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"
He took his vorpal sword in hand;
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.
And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!
One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.
"And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh, Callay!"
He chortled in his joy.
'Twas brilig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogroves,
And the mome raths outgrabe.
Saturday, August 25, 2007
For You
Lawrence Raab (1987)
for Judy
I don't want to say anything about
how dark it is right now, how quiet.
Those yellow lanterns among the trees,
cars on the road beyond the forest,
I have nothing to say about them.
And there's half a moon as well
that I don't want to talk about,
like those slow clouds edged
with silver, or the few unassembled stars.
There's more to all of that than this,
of course, and you would know it
better than most, better I mean
than any other, which is only
to say I had always intended
finding you here where I could
tell you exactly what I wanted to say
as if I had nothing to say
to anyone but you.
for Judy
I don't want to say anything about
how dark it is right now, how quiet.
Those yellow lanterns among the trees,
cars on the road beyond the forest,
I have nothing to say about them.
And there's half a moon as well
that I don't want to talk about,
like those slow clouds edged
with silver, or the few unassembled stars.
There's more to all of that than this,
of course, and you would know it
better than most, better I mean
than any other, which is only
to say I had always intended
finding you here where I could
tell you exactly what I wanted to say
as if I had nothing to say
to anyone but you.
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