Wallace Stevens
As the immense dew of Florida
Brings forth
The big-finned palm
And green vine angering for life,
As the immense dew of Florida
Brings forth hymn and hymn
From the beholder,
Beholding all these green sides
And gold sides of green sides,
And blessed mornings,
Meet for the eye of the young alligator,
And lightning colors
So, in me, comes flinging
Forms, flames, and the flakes of flames.
Thursday, April 30, 2009
Wednesday, April 29, 2009
Treatment
Ange Mlinko (2009)
It’s a little spa for the mind—seeing butterflies
set themselves down by the dozen like easels
on bromeliads, when out on the street the boutiques
are dilapidated, construction can’t be told from ruin.
A single taste bud magnified resembles an orchid
but what that one’s drinking from is a woman’s eye
which must be brineless. I wonder what she consumes
that her tears taste like fructose. For minutes she’s all its.
Then the moon rises and the river flows backward.
Composed of millions of tiny north poles, iron’s
punched out of the environment, hammered into railways.
Pubs serve shepherd’s pies with marcelled mashed-potato crusts
and each tree casts its shade in the form of its summary leaf.
Is a woman’s eye a single taste bud magnified?
Yet construction can’t be told from ruin.
Out on the street the boutiques are dilapidated
by the dozen like easels. And the mind—it’s a little spa.
It’s a little spa for the mind—seeing butterflies
set themselves down by the dozen like easels
on bromeliads, when out on the street the boutiques
are dilapidated, construction can’t be told from ruin.
A single taste bud magnified resembles an orchid
but what that one’s drinking from is a woman’s eye
which must be brineless. I wonder what she consumes
that her tears taste like fructose. For minutes she’s all its.
Then the moon rises and the river flows backward.
Composed of millions of tiny north poles, iron’s
punched out of the environment, hammered into railways.
Pubs serve shepherd’s pies with marcelled mashed-potato crusts
and each tree casts its shade in the form of its summary leaf.
Is a woman’s eye a single taste bud magnified?
Yet construction can’t be told from ruin.
Out on the street the boutiques are dilapidated
by the dozen like easels. And the mind—it’s a little spa.
Tuesday, April 28, 2009
Tossing and Turning
John Updike (1969)
The spirit has infinite facets, but the body
confiningly few sides.
There is the left,
the right, the back, the belly, and tempting
in-betweens, northeasts and northwests,
that tip the heart and soon pinch circulation
in one or another arm.
Yet we turn each time
with fresh hope, believing that sleep
will visit us here, descending like an angel
down the angle our flesh’s sextant sets,
tilted toward that unreachable star
hung in the night between our eyebrows, whence
dreams and good luck flow.
Uncross
your ankles. Unclench your philosophy.
This bed was invented by others; know we go
to sleep less to rest than to participate
in the twists of another world.
This churning is our journey.
It ends,
can only end, around a corner
we do not know
we are turning.
The spirit has infinite facets, but the body
confiningly few sides.
There is the left,
the right, the back, the belly, and tempting
in-betweens, northeasts and northwests,
that tip the heart and soon pinch circulation
in one or another arm.
Yet we turn each time
with fresh hope, believing that sleep
will visit us here, descending like an angel
down the angle our flesh’s sextant sets,
tilted toward that unreachable star
hung in the night between our eyebrows, whence
dreams and good luck flow.
Uncross
your ankles. Unclench your philosophy.
This bed was invented by others; know we go
to sleep less to rest than to participate
in the twists of another world.
This churning is our journey.
It ends,
can only end, around a corner
we do not know
we are turning.
Saturday, April 25, 2009
Untitled
Octavio Paz
A woman whose movements are a river's
Transparent gesturing that water has
A girl made of water
Where may be read the irreversible present
A little water where the eyes may drink
The lips swallow in a long single drink
The tree the cloud the lamp
Myself and that girl
A woman whose movements are a river's
Transparent gesturing that water has
A girl made of water
Where may be read the irreversible present
A little water where the eyes may drink
The lips swallow in a long single drink
The tree the cloud the lamp
Myself and that girl
Wednesday, April 22, 2009
Let The Record Show
Dora Malech
I spent the morning trying to remember
the joke about the peanut and the assault.
People dropped bombs on each other elsewhere.
I knew that many of them were at fault
and many blameless. I kept my office locked
and the lights off. The phone just kept ringing.
I didn't answer. Nor when someone knocked.
I was supposed to be doing something.
I spent the morning trying to remember
the joke about the peanut and the assault.
People dropped bombs on each other elsewhere.
I knew that many of them were at fault
and many blameless. I kept my office locked
and the lights off. The phone just kept ringing.
I didn't answer. Nor when someone knocked.
I was supposed to be doing something.
Tuesday, April 21, 2009
Two Bodies
Octavio Paz
Two bodies face to face
are at times two waves
and night is an ocean.
Two bodies face to face
are at times two stones
and night a desert.
Two bodies face to face
are at times two roots
laced into night.
Two bodies face to face
are at times two knives
and night strikes sparks.
Two bodies face to face
are two stars falling
in an empty sky.
Two bodies face to face
are at times two waves
and night is an ocean.
Two bodies face to face
are at times two stones
and night a desert.
Two bodies face to face
are at times two roots
laced into night.
Two bodies face to face
are at times two knives
and night strikes sparks.
Two bodies face to face
are two stars falling
in an empty sky.
Monday, April 20, 2009
Self-Service
John Updike (1978)
Always I wanted to do it myself
and envied the oily-handed boy
paid by the station to lift
the gun from its tail tin holster
and squeeze. That was power,
hi-octane or lo-, and now no-lead.
What feminism has done for some sisters
self-service has done for me.
The pulsing hose is mine, the numbers
race—the cents, the liquid tenths—
according to my pressure, mine!
I squeeze. This is power:
transparent, horsepower, blood
of the sands, bane of the dollar,
soul-stuff; the nozzle might jump
from my grip, it appears to tremble
through its fumes. Myself,
I pinch off my share, and pay.
Always I wanted to do it myself
and envied the oily-handed boy
paid by the station to lift
the gun from its tail tin holster
and squeeze. That was power,
hi-octane or lo-, and now no-lead.
What feminism has done for some sisters
self-service has done for me.
The pulsing hose is mine, the numbers
race—the cents, the liquid tenths—
according to my pressure, mine!
I squeeze. This is power:
transparent, horsepower, blood
of the sands, bane of the dollar,
soul-stuff; the nozzle might jump
from my grip, it appears to tremble
through its fumes. Myself,
I pinch off my share, and pay.
Sunday, April 19, 2009
Lunch Poem For F.S.
Jonathan Galassi (2009)
The dirty sunlight in the clerestory
windows of our faux-Parisian lair
lends a streaky, half-forgiving glow
to yet another summit with no purpose:
duck and iron Pinot Noir and double
decaf espresso, sheer necessities
for urban inmates who still keep the faith
with a wan cerise velvet banquette
and eye-level mirror lit with faces
a John-the-Baptist puritan might judge
corrupt with too much liquid happiness.
But it is happiness
to lounge in semi-silence while the day
downshifts and natter on about the shit
that passes for Shinola but we know
is only sauce for the gander.
It’s not that we’re against the war,
we’re against them: the boobs, the pimps,
the Know-It-Alls, the True Believers—everyone
who isn’t here awash in downtown gold
inhaling the exhaust of Burgundy . . .
Loafing, gloating, having it our way
Friday afternoon at Montrachet.
The dirty sunlight in the clerestory
windows of our faux-Parisian lair
lends a streaky, half-forgiving glow
to yet another summit with no purpose:
duck and iron Pinot Noir and double
decaf espresso, sheer necessities
for urban inmates who still keep the faith
with a wan cerise velvet banquette
and eye-level mirror lit with faces
a John-the-Baptist puritan might judge
corrupt with too much liquid happiness.
But it is happiness
to lounge in semi-silence while the day
downshifts and natter on about the shit
that passes for Shinola but we know
is only sauce for the gander.
It’s not that we’re against the war,
we’re against them: the boobs, the pimps,
the Know-It-Alls, the True Believers—everyone
who isn’t here awash in downtown gold
inhaling the exhaust of Burgundy . . .
Loafing, gloating, having it our way
Friday afternoon at Montrachet.
Saturday, April 18, 2009
Darwin's Finches
Deborah Digges
1
My mother always called it a nest,
the multi-colored mass harvested
from her six daughters' brushes,
and handed it to one of us
after she had shaped it, as we sat in front
of the fire drying our hair.
She said some birds steal anything, a strand
of spider's web, or horse's mane,
the residue of sheep's wool in the grasses
near a fold
where every summer of her girlhood
hundreds nested.
Since then I've seen it for myself, their genius—
how they transform the useless.
I've seen plastics stripped and whittled
into a brilliant straw,
and newspapers—the dates, the years—
supporting the underweavings.
2
As tonight in our bed by the window
you brush my hair to help me sleep, and clean
the brush as my mother did, offering
the nest to the updraft.
I'd like to think it will be lifted as far
as the river, and catch in some white sycamore,
or drift, too light to sink, into the shaded inlets,
the bank-moss, where small fish, frogs, and insects
lay their eggs.
Would this constitute an afterlife?
The story goes that sailors, moored for weeks
off islands they called paradise,
stood in the early sunlight
cutting their hair. And the rare
birds there, nameless, almost extinct,
came down around them
and cleaned the decks
and disappeared into the trees above the sea.
1
My mother always called it a nest,
the multi-colored mass harvested
from her six daughters' brushes,
and handed it to one of us
after she had shaped it, as we sat in front
of the fire drying our hair.
She said some birds steal anything, a strand
of spider's web, or horse's mane,
the residue of sheep's wool in the grasses
near a fold
where every summer of her girlhood
hundreds nested.
Since then I've seen it for myself, their genius—
how they transform the useless.
I've seen plastics stripped and whittled
into a brilliant straw,
and newspapers—the dates, the years—
supporting the underweavings.
2
As tonight in our bed by the window
you brush my hair to help me sleep, and clean
the brush as my mother did, offering
the nest to the updraft.
I'd like to think it will be lifted as far
as the river, and catch in some white sycamore,
or drift, too light to sink, into the shaded inlets,
the bank-moss, where small fish, frogs, and insects
lay their eggs.
Would this constitute an afterlife?
The story goes that sailors, moored for weeks
off islands they called paradise,
stood in the early sunlight
cutting their hair. And the rare
birds there, nameless, almost extinct,
came down around them
and cleaned the decks
and disappeared into the trees above the sea.
Friday, April 17, 2009
Seven Stanzas at Easter
John Updike (2007)
Make no mistake: if He rose at all
it was as His body;
if the cells’ dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.
It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His flesh: ours.
The same hinged thumbs and toes,
the same valved heart
that–pierced–died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.
Let us not mock God with metaphor,
analogy, sidestepping, transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.
The stone is rolled back, not papier-mâché,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.
And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck’s quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.
Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.
Make no mistake: if He rose at all
it was as His body;
if the cells’ dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.
It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His flesh: ours.
The same hinged thumbs and toes,
the same valved heart
that–pierced–died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.
Let us not mock God with metaphor,
analogy, sidestepping, transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.
The stone is rolled back, not papier-mâché,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.
And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck’s quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.
Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.
Monday, April 13, 2009
Moth
Katha Pollitt (2009)
Matthew 6:19
Come bumble-footed ones,
dust squigglers, furry ripplers,
inchers and squirmers
humble in gray and brown,
find out our secret places,
devour our hearts,
measure us, geometer, with your curved teeth!
Leaves lick at the window, clouds
stream away,
yet we lie here,
perfect,
locked in our dark chambers
when we could rise in you
brief, splendid
twenty-plume, gold-
spotted ghost, pink scavenger,
luna whose pale-green wings
glow with moons and planets
at one with the burning world
whose one desire is to escape itself.
Matthew 6:19
Come bumble-footed ones,
dust squigglers, furry ripplers,
inchers and squirmers
humble in gray and brown,
find out our secret places,
devour our hearts,
measure us, geometer, with your curved teeth!
Leaves lick at the window, clouds
stream away,
yet we lie here,
perfect,
locked in our dark chambers
when we could rise in you
brief, splendid
twenty-plume, gold-
spotted ghost, pink scavenger,
luna whose pale-green wings
glow with moons and planets
at one with the burning world
whose one desire is to escape itself.
Sunday, April 5, 2009
This Lunar Beauty
W. H. Auden
This lunar beauty
Has no history
Is complete and early;
If beauty later
Bear any feature
It had a lover
And is another.
This like a dream
Keeps other time,
And daytime is
The loss of this;
For time is inches
And the heart's changes
Where ghost has haunted,
Lost and wanted.
But this was never
A ghost's endeavour
Nor, finished this,
Was ghost at ease;
And till it pass
Love shall not near
The sweetness here
Nor sorrow take
His endless look.
This lunar beauty
Has no history
Is complete and early;
If beauty later
Bear any feature
It had a lover
And is another.
This like a dream
Keeps other time,
And daytime is
The loss of this;
For time is inches
And the heart's changes
Where ghost has haunted,
Lost and wanted.
But this was never
A ghost's endeavour
Nor, finished this,
Was ghost at ease;
And till it pass
Love shall not near
The sweetness here
Nor sorrow take
His endless look.